WARRIOR SISTERS:
THE NEW ADVENTURES OF
AFRICAN AND ASIAN WOMYN WARRIORS
Credits:
Music and concept by Fred Ho. Book/Libretto by Ann T. Greene. Directed
and choreographed by Mira Kingsley. Lighting by Allen Hahn. Costumes by
Cristina Maria Ruales. Original scenic by Neil Prince. Martial arts choreography
by George Crayton, III.
WARRIOR
SISTERS is the imaginary meeting of four legendary female revolutionaries-China's
Fa Mu Lan, the invincible and demagogic female avenger who is over 1,000
years old but doesn't look a day over 40; Nana Yaa Asantewa, the 50-year
old Queen Mother and military general of The Ashante nation (pre-modern
Ghana); Sieh King King, the teenage Chinese feminist reformer; and Assata
Shakur, legendary leader of the Black Liberation Army and America's Most
Wanted Political Fugitive. Rupturing the physical universe with her magic,
Fa Mu Lan takes Nana Yaa Asantewa and Sieh King King from the 19th century,
to America in the 1970's. They jailbreak the imprisoned Assata Shakur
and set out to form a matriarchal guerilla army to destroy patriarchal-capitalist
imperialism.
Composer
Fred Ho and librettist Ann T. Greene have created a radical fantasy action-adventure
opera designed to appeal to not only traditional opera lovers, but to
contemporary popular music lovers, too. WARRIOR SISTERS features authentic
Chinese martial arts, combines both European-classically trained and American
multicultural popular singing styles, and features womyn of African and
Asian descent as principals. The music blends African American and Asian
American heritages. WARRIOR SISTERS shatters the sexist image of womyn
characters as tragic femme fatales and docile virtuous ladies. Oh, we
spell "womyn" to take out the men.
Commissioned
by the Mary Flagler Cary Charitable Trust, Arizona State University-Tempe,
the National Endowment for the Arts Opera/Musical-Theater Program, the
Margaret Jory Fairbank Copying Assistance Program of the American Music
Center, Dance Theater Workshop and Aaron Davis Hall.
Photo
Gallery
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